fredtruck
Omono
Going back to the left gives the tree nice movement. I don't know how you'd decide something like this. Either way works, but it seems you'd have to decide what you want to say with the tree.
Going back to the left gives the tree nice movement. I don't know how you'd decide something like this. Either way works, but it seems you'd have to decide what you want to say with the tree.
You've got to ask yourself, 'what would Luis Vallejo do?'
I do.
with all the lost branches and all... still looks pretty darn well!
This is how I often see die-back: It is often the weaker ones that do not survive our abuse and create a more natureal openness than we can think of ourselves. In the end, trees drop branches all the time in real life.Thanks Max. Most were secondary branches. I did take two primary ones that I didn't think I needed any more and help open the design up. It will also allow more light to get down to the smaller second trunk.
Sergio, is the occurrence of wild temperature swings (in late winter especially) a major factor in branch dieback?As is usual, we had periods of frigid weather and the unheated garage was left open by my wife inadvertently. The temperature went from 38F down to 20F in an matter of minutes. All wired branchlets died back.
Sergio, is the occurrence of wild temperature swings (in late winter especially) a major factor in branch dieback?
My Deshojo really suffered this winter, like no other year before. Many little branches died and the buds are still tiny. I hope it will bounce back too but I'm worried and can't understand the reason. Thanks! BTW It was outside on a balcony all the time.
FWIW I would vote for this design as well. Your execution has been obviously masterful, but I was never excited about your original design sketch. Probably can’t say why exactly. Perhaps the curves were just too soft and not dynamic enough. Maybe it’s because the direction of the tree is ambiguous with the apex pointing one way and the secondary trunks another. The proposed design pulls it together.
FWIW I would vote for this design as well. Your execution has been obviously masterful, but I was never excited about your original design sketch. Probably can’t say why exactly. Perhaps the curves were just too soft and not dynamic enough. Maybe it’s because the direction of the tree is ambiguous with the apex pointing one way and the secondary trunks another. The proposed design pulls it together.
I had to cut the whole upper portion. It had black spots on the bark signaling dead tissue and I thought it would spread.Sorry to hear about your deshojo. The reason you had issues is most likely not enough protection. Deshojo also have weaker roots so they will benefit from extra winter care.
There is something about the three little piggies that just bothers me and I just cannot put my finger on what I might do about it were this my tree. There is a branch, opposite the lowest left branch (and probably in back), that 'just shouldn't be there', IMHO. But taking it away leaves 'a hole' and exaggerates the contradictory motion of the three little pigs. On the other hand, removing the tallest of the three little pigs helps ameliorate the contradictory motion, but any sense of unity is lost, for me. I dunno. It just confuses me.
There is something about the three little piggies that just bothers me and I just cannot put my finger on what I might do about it were this my tree. There is a branch, opposite the lowest left branch (and probably in back), that 'just shouldn't be there', IMHO. But taking it away leaves 'a hole' and exaggerates the contradictory motion of the three little pigs. On the other hand, removing the tallest of the three little pigs helps ameliorate the contradictory motion, but any sense of unity is lost, for me. I dunno. It just confuses me.