What cases / when is it right, aesthetically-speaking, to ignore the rule of "angle the tree toward the viewer"?

Why not do both?
Why would you? If the lean is there just to create the illusion of closer branching, and you instead develop the tree with closer branching you wouldn't need the lean anymore, and the
tree wouldn't look so silly (technical term, perhaps unnatural would be better) from the side.
 
Why would you? If the lean is there just to create the illusion of closer branching, and you instead develop the tree with closer branching you wouldn't need the lean anymore, and the
tree wouldn't look so silly (technical term, perhaps unnatural would be better) from the side.
Honestly, who here would love to have that tree in discussion on their own bench? His tree isn't unique in the lean.
 
This is SCREAMING!!!!!!!!!!!
This is stressing a point.

If you don't comply, you will inevitably have to explain yourself.

JEB!
I didn't realize it either until one pointed it out here on the forum several years back. I would capitalize specific words. And was told to stop yelling at people. Blew my mind. ? Etiquette on online text I guess. (((Shrugs)))

You probably don't want to be doing triple parentheses. DO YOU MEAN THAT?! :mad:

Context is everything.



Its hard. [W]
 
Follow-up to the previous thought. If you have that tree (last 2 photos) at your place, can you take another set of photos. Take the tree and prop it up so that the part of the trunk that leans forward
is perfectly vertical (so you'd have to lean the pot back). Then take a photo of the front from the same position as you did before. I'm curious to see how different the images look. I realize this won't be a perfect
comparison because the branches have been styled to work with the current lean but am still curious.
Ok, here ya go:

B875FCD8-799F-4BA4-B9E7-892DBB656F3E.jpeg

271F4272-CDC2-40CB-943E-487355D98B2E.jpeg

57957F6B-32A6-44FD-BF34-43A838897231.jpeg
 
The forward lean is most effective, IMHO, when the tree is viewed at roughly the same level as the 'kink' in the trunk or about 1/3rd of the way up from the nebari. Viewed in close proximity, this makes me feel akin to looking at big trees in the forest. However, trees like Adair's seem to frequently be displayed at a much lower elevation and the apex is almost an eye-poker when casually walking by in an exhibition.

IOW, it depends.
 
Lets attack this a different way Adair. It's a given that you buy more finished trees. It's also a given that you are not really known as a person here that regularly offers ground up progressions from nursery material or freshly dug material from a tree farm and puts branches or grafts branches ( on your own trees) and explains ad nauseam how to BUILD a tree.

So.. do you have any trees, that you have built that do not have this projecting apex? I know that Boon likes to give hand outs to students, ( though many of them have been copied from other text) that talk about this as a useful tool?

I have been doing bonsai for 35 years worked with some steller talents. I have taught classes along side William Valavanis and Jim Gremel, and Kenji Miyata at the Bi Annual Shohin convention here in California. I have taken workshops with the same, and many more, including Walter Pall. In all these years and all these workshops and guest artists visiting, including Ryan Neil more recently, I have "never ever" heard, nor read of the importance of the "projecting apex".

I'm not saying I have never seen it, nor am I saying that I don't have it, but it has been a by product of working the tree over years and the apex working its way forward, ( not to your extreme) over the years.

You have shown two trees with this super forward apex. Both I suspect were that way when you purchased them. Both of them will not ever be back over the root mass, because of the massive change in the tree it would make, and probably not for the good.

On your pine, which you did not create, it is evident that the original artist started the tree with the trunk leaning backward. That would be a no no. So I can surmise that the front, even though it went the wrong direction, was the better front between the two in terms of rootage, flare, taper and flow. Over the years, ( nothing having to do with you) the top of the tree was chopped and a new top was built. In the zest to get the apex in front of the trunk, the artist began choosing shoots that best achieved that aim. Over the years the apex was so far out there due to working towards that end, we have the tree we have now.

You can explain it, or rationalize it any way you wish, but that tree looks goofy in any view other than the front or back. While I am not a full on zealot for 360 degree trees like Will Heath was, I do feel that a tree should look as good from the sides as it does from the back and front. I understand about back branches and all that crap, but it still should have some symmetry as an upright growing tree.

I just don't buy your premise and everything you keep saying to rationalize the look that could be achieved with the tree standing up. Why try to make it look shorter when you can just make it shorter. Just cut the damn thing down. Its been chopped before, chop it again. Need more branches closer together, then graft them in there and get away from the stupid leaning tree that looks like it is going to fall over.

Just be honest. If you like it say so. If you think it looks a little goofy say so, it came that way. Would you have built it that way on purpose, say so. You never answered my questions in the other posts. I don't know why. It may be hard I know, cause you have to give a little and that is hard. Post some facts of this process. Who says this and show us some other trees if you have some? If you don't want to partake in this debate, I get it. Just say it. But please don't continue to question my intelligence by you "saying it and thats it". Thats bullshit and you know it.

Teach me. That's what I do.
 
The forward lean is most effective, IMHO, when the tree is viewed at roughly the same level as the 'kink' in the trunk or about 1/3rd of the way up from the nebari. Viewed in close proximity, this makes me feel akin to looking at big trees in the forest. However, trees like Adair's seem to always be displayed at a much lower elevation and the apex is almost an eye-poker when casually walking by in an exhibition.

IOW, it depends.
If that is the case, it is displayed improperly. It should be on a taller display table.

In general, I have noticed that most of us use display tables (stands) that are too short. The Japanese use taller display tables far more often than we do.

The Atlanta Bonsai Society has taken to elevating the tables (benches) used for our annual show by using sections of PVC pipe to make the tables taller. Thus elevating the trees to a better viewing angle. They’re hidden by the skirting.
 
Fix the branches and you wouldn't see any difference

271F4272-CDC2-40CB-943E-487355D98B2E.JPGB875FCD8-799F-4BA4-B9E7-892DBB656F3E.JPG
 
Just wondering, isn't there a bit in photography about images taken
with the camera and trees, seeming to bend towards the viewer ?

One eye viewing?
 
Repot that puppy and fix those branches and you got something. I can visualize absolutely no difference in those two trees, one straight and one tilted if the branches were fixed. Your tilt adds nothing
Here is the tree before it was styled:

ADAD3579-07F0-44DC-957D-799309F86855.jpeg

Pretty much a bush. Boon bought it in Japan 17 years prior to selling it to me 5 years ago. He never styled it. He would let it grow out, and then cut it back, but it was never wired, or styled. He said that when he bought it, it didn’t appear to have been ever styled. He estimates it was around 20 years old at the time of purchase. It still had smooth bark.

Yes, it is amazing that something could sit around at Boon’s for 17 years and never get wired!

At the time of the initial styling, the apex did get chopped. No need to do it again.

When I purchased this tree, I had Daisaku Nomoto do the initial styling. Daisaku has won the Kokohu-ten prize. He is also on the Board of Directors of the Nippon Shohin Association, and recently won Gafu-ten, the show for bonsai professionals. It stayed at Boon’s for three years after styling, but the tree was not thriving, and I brought it home. JWP did not do well in the cool summers in the Bay Area.

The tree exploded with growth in my climate of cool winters and warm summers. I had Tyler Sherrard update Daisaku’s styling. Tyler apprenticed under Shinji Sazuki, and earned the Bonsai Master Certificate. While under Shiji, he was tasked on styling a customer’s JWP for Kokofu-ten. The tree won the Kokofu Prize. So, this tree is probably the only tree in America that has been styled by two Kokofu-ten Prize winning artists.

It has never been shown.

I do plan to repot into a better pot when I find the right one.

Will I change the potting angle? Not on your life.
 
All great looking trees lean forward like Adair's tree? To me that side and back views look pretty silly. They only look good on one view? I can't understand why anyone would want to do that!
 
Pretty much a bush. Boon bought it in Japan 17 years prior to selling it to me 5 years ago. He never styled it.

Yes, it is amazing that something could sit around at Boon’s for 17 years and never get wired!

hmmm.... that tells me something right there.....

Boon has been in the valley to buy up collections before, two that I know of. He sells them all, turning a quick buck on those willing to buy them....
 
hmmm.... that tells me something right there.....

Boon has been in the valley to buy up collections before, two that I know of. He sells them all, turning a quick buck on those willing to buy them....
That’s something all professional bonsai people do. It’s called “making a living”.

He bought this particular tree for his own collection. He bought it because he had previously purchased another JWP Kokonoe and liked it. So, when he saw another similiar to the first one, he saw the future potential and snagged it up. John Kirby now owns the first one.

I contacted Kirby asking if he knew of a Zuisho for sale. He said he didn’t, but knew of a good Kokonoe. That Boon had. When Kirby bought his, Boon has both available. Kirby picked the larger of the two. So, that’s how he knew about it.

When I called Boon, he told me he had it, but wasn’t planning to sell it. But then he decided to sell it to me because he knew if my fondness for pines. Anyway, it’s worked out. The tree is in a better climate for it now.
 
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