What's funny is that in this post (
http://bonsai.zone/index.php/2016/03/04/sind-bonsai-kunst/) he questions if bonsai is art, decides that it is not, and discusses rules. Hahaha
Here it is in English (kind of)...............................
Some interesting perspectives. I kind of agree with him but I still feel that it is an art to be able to make a representation of nature but hide any evidence of it. But maybe not! Maybe that too is just part of the craft???
First of all, in my opinion a clear: no.
For me, art is a nonconformity, a play with objects, materials, a different view, representation or shaping. For my sake, a statement, a relation to reality, to the artist, to the future. A change, a clearly recognizable handwriting of the artist.
As long as a bonsai follows "recognized" rules, it is divided into size classes by the designer himself, the gesture of the bonsai follows established forms, orientated exclusively to nature or his presentation is traditionally anchored, he can not be a work of art for me. As long as bonsai are evaluated according to a criteria catalog and approved for exhibitions, designers will follow these rules. But whoever follows these rules does not express himself, is not creative, but a craftsman. And only grinds the millionth nutcracker in shape.
Only the fewest bonsai carry a handwriting of the designer. Maybe in details. Sometimes. However, high-quality trees could have been edited by dozens of top designers, personal expression blurred completely. On the last noelander, a visitor peered at the sign of the exhibition tree and said quite seriously: "Look, a Ferrari." And his companion: "Great, that now also designed trees".
Some designers have taken the first step and created their own new styles so that the handwriting becomes recognizable again. But let us be honest. Naturalism in art has been overhauled for decades; the last form of naturalism was perhaps still the photorealism, also that is decades ago. To imitate nature may have been art in great perfection. But nowadays it is neither new nor creative, but just a look and impression. And naturalism, then, is simply to be called naturalistic design, does not change, but is only directed backwards, is oriented to the given. Perhaps Nick Lenz? Maybe. Approach. A certain shaping game. A few other materials. Sometimes unnatural representations. Nevertheless, there is the traditionally correct shell under each tree.
Where are the designs that play with the shell necessary for the life of Bonsai and the tree itself? Where is the shaping in the tree, which has nothing more to do with nature or familiar forms, but rather, e.g. Architecture or contemporary sculpture? Where are contemporary or totally unfamiliar materials at the shell and where the plants are off the usual trampolines? Where is the presentation contrary to the firmly cemented table manners and where the break with the Japanese and Chinese tradition? Where is a relation to personal background, to one's own history or future?
To declare art as such is not enough for me. Otherwise, every gardener is suddenly an artist and every pruned fruit tree is a work of art. It is not bad if Bonsai is "just" a fascinating craft with absolutely admirable high performances of some designers. Or as a hobby is just fun and recreation. But art is so far