rockm
Spuds Moyogi
I have to agree with all of this. Some of Lenz' stuff is plain silly (which was his intention mostly). You have to give him credit even for the sillier stuff. He made almost all the "incorporated" things in his plantings with his own two hands and a kiln. the trees in them were extremely well done with an expert hand --not to mention a lot of TIME, decades in some cases...I appreciate Nick's work for its originality. Though some of his work is avant-garde, most of it was very traditional. And I'm not sure that all of his creative stuff worked... but I appreciate that he challenged convention... 30 years ago. However most of his compositions really incorporated the tree and the item very closely.
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At the end of the day, I define bonsai as "tree as hero". The tree itself should be the focus of the composition, with the pot complementing it. If you want to add characters or other elements in a broader display, that's fine - as long as they add to, instead of detract from, the overall display. If you have a tree/statue combination and people spend more time looking at the statue than the tree... that's not bonsai.
I guess what I find most, well, not objectionable, but questionable, is the overall quality of the tree kicker. It looks amateurish, like it belongs next to a set of mail order Katanas...The tree is only kind of adequate with no real work done on it...The figure is dynamic and out of place mostly. Shiwan figures can be used quite effectively when thoughtfully applied. This piece from Yee Sun Wu's gift to the arb has always been a favorite. The tree is the "champion" of the composition, the figure is supporting cast (but a solid support, evoking sound and mood, not overly smashing it in your face as the kicker literally does). Subtle speaks more loudly than obvious...