JeffS73
Shohin
Super pots Sputnik, great to have another new potter in England. What you say about "can't imagine not doing it" now you've started rings true for me too.
All I want to do is keep experimenting at the moment. The problem with me is keeping my progress in a linear direction. I’m too prone to trying things without good reason and not learning from my mistakes and successes.Super pots Sputnik, great to have another new potter in England. What you say about "can't imagine not doing it" now you've started rings true for me too.
Building it this way allowed me to build to a desired thickness. I tried the same mould but with slightly thicker sides and decorated it with rivets to give a mini version of my oxide pot shown earlier.That second one is fab!
That's.... almost startling that these are coil built. Ahh... I saw you mention that you are using molds?There was a post at the start of the year entitled “What will you do in 2022 to push your boundaries?”. My resolutions were to try Mame and to start making pots. Well I took a few handbuilding lessons from Nick Payne of Springwood Ceramics in the spring and got myself a small s/h kiln and gave it a go. Some failures along the way but these are some of the ones I feel reasonably happy with. They are all coil built and using traditional shapes. I’m hoping to get these planted up in the spring. Enjoying it so much I’m now wondering whether to make some to sell. If you keep producing you can only plant up so many yourself.
All the medium and larger pots are coil built but I’m afraid I couldn’t get the thickness or the size down on the very small pots with coil building. The walls were just too chunky or too wobbly so I decided to use the outer support given by a slump mould and then scrape the inside to shape. Feet and other decorative details are made and added separately after removal from the mould That way the pots can have a wall thickness in keeping with the size. Next task with this project is to vary the moulds and scrapers to create different pots. I don’t want this to be a substitute for my coil building, nor do I want to go down the slip moulding route but coiling diameters under about 5 inches I just don’t find enjoyable. If my aim is a Mame or small Shohin pot its a set size. It’s just far too fiddly and it definitely wouldn’t make a pot financially viable should that ever affect me. This way I’m still hand building but with less stress. It also gives me a chance to play with my glazes and decoration without so much pressure.That's.... almost startling that these are coil built. Ahh... I saw you mention that you are using molds?
Your glazes are phe-nom-e-nal.
Thanks. What are you finding a problem with coil building? My cloud feet are either made using silicone moulds of feet from traditional pots or silicone moulds of feet I have modelled myself. I feel I have to do this for consistency.wow very nice work. Ive been trying to push my limits to and try coils but it is not working out for me at all. I dont know if I am just not doing it proper or what. Also how are you making the cloud feet they are great... Anyways congrats and your work looks awesome....
Thanks I’ll keep it in mind. I appreciate itI found one of the most important things with coil building is making sure the base is really leather hard before trying to add the coils. Don’t rush things. Build your walls and smooth the coils together and then roughly shape at that stage. I then allow the walls to get to a medium leather before scraping with a shaped scraper and I usually leave mine for 12-24 hours between building and scraping wrapped with polythene.
Good luck
Really impressive! I also like to coil-build rounds, but I am nowhere close to achieving this level of refinement. Well done! And the feet are great…Alongside the small pots i have still been coil building larger pots. My kiln size limits me at the moment in diameter but these are very much deeper than I have done before and at my maximum diameter. I made these for a family member who likes his bonsai pots traditional in shape but a little deeper. There are two similar pots which will be glazed differently. The feet were moulded from one of my Japanese pots. I didn’t think I could really better them for style or size. Not sure how many I will be making this size. They’re really heavy to flip.
Thanks. I shall be glazing them later so fingers crossed. These were quite hard work and in a clay I hadn’t used before. Don’t think I could bear it if these didn’t make it through.Really impressive! I also like to coil-build rounds, but I am nowhere close to achieving this level of refinement. Well done! And the feet are great…
Just saw this - these are really good! All those years of hanging round the potters' stands have paid offThere was a post at the start of the year entitled “What will you do in 2022 to push your boundaries?”. My resolutions were to try Mame and to start making pots. Well I took a few handbuilding lessons from Nick Payne of Springwood Ceramics in the spring and got myself a small s/h kiln and gave it a go. Some failures along the way but these are some of the ones I feel reasonably happy with. They are all coil built and using traditional shapes. I’m hoping to get these planted up in the spring. Enjoying it so much I’m now wondering whether to make some to sell. If you keep producing you can only plant up so many yourself.
Thanks Tom. Shapes and glazes are a bit limited at the moment but I made my mind up to try to reach a satisfactory level at each stage before moving on. It’s not in my nature really. I’m normally a bit bull at a gate but Mike’s a good moderating influence and we’re doing much of the work together.Just saw this - these are really good! All those years of hanging round the potters' stands have paid off
Very usable shapes and glazes as well. Looking forward to buying some from you.
wow they are very nice pots. congrats keep up the good workThanks Tom. Shapes and glazes are a bit limited at the moment but I made my mind up to try to reach a satisfactory level at each stage before moving on. It’s not in my nature really. I’m normally a bit bull at a gate but Mike’s a good moderating influence and we’re doing much of the work together.
The big pots fired okay. Pictured with some of the small pots fired with them.Alongside the small pots i have still been coil building larger pots. My kiln size limits me at the moment in diameter but these are very much deeper than I have done before and at my maximum diameter. I made these for a family member who likes his bonsai pots traditional in shape but a little deeper. There are two similar pots which will be glazed differently. The feet were moulded from one of my Japanese pots. I didn’t think I could really better them for style or size. Not sure how many I will be making this size. They’re really heavy to flip.