I enjoy glazes more than I do making pots. Having your own unique clay/glaze is as important for the unique look of your pots as the pot itself.
steps to know glazes
1. Stop using bottled glazes
2. Buy this book
https://johnbrittpottery.com/shop/the-complete-guide-to-high-fire-glazes-glazing-firing-at-cone-10/
3. Read and understand every article here:
https://digitalfire.com/article/list
4. Make several of John Britt's glazes and understand what each component is doing.
5. Pay for an account here
https://insight-live.com/
6. Make your own glazes
Some examples of antique glazes I am working on
Aokouchi
Ao means blue or green in Japanese. This is a variation on shirokouchi and they often share the same base glaze but with the addition of nickel for the green color. The challenge is not getting army green or swamp algae green with the addition of another element.
Examples of real Aokouchi:
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Here is my Aokouchi:
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And the test tiles
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Kinyuu
This is the generic name for sky blue glazes. There is considerable variation but my favorite versions are a greyish semi-matte sky blue like the bottom.
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Koyo crystal glaze AKA
Oribe, but it really isn’t an Oribe
This one took me the longest to figure out, over 100 test tiles! I wanted a true cone 10 crystal glaze that works in reduction, even though original Koyo is cone 6 or below and most “crystalline” glazes are high in zinc. Once you figure out the bumpers for a crystalline glaze, it is easy to make a range of variations. People are crazy for crystals for some reason, but I think they are a cheap trick and only look good on shohin pots. I made a 24” forest tray and it looked gaudy.
My “Koyo” version 3, still working on it. I don’t know that an exact copy of koyo is my final goal, I am just enjoying the development process
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Koyo V1. Note the different shape of the crystals
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