I would really like to skew this thread to something that I have had some trouble with as I spend more and more years in bonsai.. and that is the concept of FAIRNESS.....The following statements are or can be rhetorical..
How is it fair that a huge amount of bonsai artists do not have the money or access to such magnificent material. I personally cannot just drop $2000 on bonsai material. I also, cannot just go into an area to collect. Up here in the the Northeast part of the county, there are seemingly very few places to collect outstanding material. Has bonsai become a situation like the rich get richer and the poor get poorer. I watch as masters post masterpiece after masterpiece and have outstanding pre material as far as the eye can see. Yet, most people will never know what this is like simple because of monetary and geographical challenges. Personally, it seems like every year, my limit to what I will spend needs to get higher and higher to attain good material..$200, 300, and at last count $400. It is becoming apparent that yes, bonsai does take talent and a good eye. However, the monetary and geographical challenges seem to weigh very heavily as far as one’s progression. I am a long way off from retirement.. I need money to live and cannot sink fortunes into the art that I love. I need to spend countless hours searching for that one piece of material that is reasonably priced and has the potential to become a great bonsai. Then spend years training it.
Everytime a see any well crafted bonsai. I am always in awe of it's beauty. Whether it is a 300 year old masterpiece or a bonsai that was started from a $20 piece of material that someone spent years training it. With which one does the heart of bonsai reside... probably both. However, which one is attainable by only a few select people..the 300 year old masterpiece.
This is all just me typing a rant. There really is not an answer that can be given. It is just how I see it, which I believe, is actually how it is.
Rob