Let me know what you think of the photo above!
I think this is very typical of styling work done by someone new to the hobby. Most of us started here. If you’re sensitive, quit reading here. If you really want to know what I think, read on.
It makes no sense to have a dead left side moving right, while also having live branches on the right moving left. It makes no sense to have all the foliage out at the tips, when the left side is dead. If you look at some trees in harsh conditions, that have naturally died back, almost all the growth is concentrated closer to the trunk, not farther from it. Young straight branches don’t suggest any kind of struggle, neither do jinned fine branches. They wouldn’t last long.
I don’t think this is easy material, nor very promising. However, did you dig down into the soil to find the base? That’s the best place to start any tree. But, that requires working intentionally.
Even if you don’t set out with any intentions, realize that when you show your work, you are expressing
something. Bonsai should be approached intentionally, since it is a visual art. Are you trying to express that you don't care or that you’re avant-garde? Do you appreciate the work of those who have studied Bonsai with the best in the world? If so, do you think those people start work with no intentions? Do you think those people would be impressed by this effort?
If you want to work intentionally, keep studying really good trees and seek to understand how they’re different from the one in your photo: strong trunks, dynamic movement, deadwood as a story-teller, branches that suggest age and grace, foliage to frame the whole picture; clean and tidy work.
How could you incorporate some of these characteristics into this tree? How about starting with the base, then minimizing the deadwood to a statement or suggestion, twisting the trunks with wire, compacting the design with bends, cutting away the outside growth instead of the inside growth, giving the branches some movement and consistent direction, tidying up the undersides of the foliage pads. These are all very intentional steps.