Got 12K?

Paradox

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I love scots pines they are easily my favorite.
If I could afford a tree in this price range, this would also not be my pick. Not sold on the weeping nature of the design.

Rockm is correct in the adaptable ability of scots pines to the east coast. I've 2 in my collection and I have never had issues with fungus with either of them, where I have had fungus on mugos and JPB *knocks on wood*
 

Wires_Guy_wires

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Let's hear it. Don't keep it to yourself now that you have spoken.
I think calling a style that has been practiced in Europe for 20 years "avant-garde" and "innovative" then either I don't understand what these terms mean, or Team Mirai doesn't.
I believe Walter Pall should get some credits for doing this style and taking all the crap for it back when.
 

czaczaja

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A separate shipping fee allows someone to make their own shipping arrangements and not pay the “included” shipping.
If someone is dishing out 12k for a twig, they wont be making their own shipping arrangements 🤣
 

Cajunrider

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If someone is dishing out 12k for a twig, they wont be making their own shipping arrangements 🤣
I am thinking the other way. When a person is particular enough to buy trees at high cost and high caliber, that person is more likely to want the tree to be transported in a particular manner.
 
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The weird thing for me with living art is that it could die any time for no apparent reason... left alone costing this much. Even if I can afford it, I wouldn't buy it.
True, but on flip side even inanimate things can be destroyed , ruied , ans lost day after buying . Sadly nothing is guaranteed in life other then our death and decomposition (sorry if morbid or silly to reply this) but I also agree , spending any amount of money on somthing living the person better have knowledge and ability to keep it so. I've seen people buy rare animals or plants only to kill them for lack knowledge and sadly desire to want or own rarely equates to ability to care for them. Crazy. I do think treetops nice but ascetics are subjective also.
 

leatherback

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I do not understand why you would think this. Looks like a mature, collected specimen to me. The sudden transition is where prossibly a sidebranch or even the main trunk was originally cut off.

droopy foliage
This I can relate too. I agree with @Wires_Guy_wires that this reflects the way @Walter Pall over the years has been pushing the envelope towards more tree-like bonsai and less overstyles trees. However, to me this tree feels that it might have passed the mark, and is not so consciously non-pad based, that it does not relfect a natural tree anymore. Mature pines tend to have the foliage somewhat clustered. But this might be a maturity-as-bonsai thing where over time this comes together more.

To me, this is a tree out of my range financially. Trying to get my head around the prices in the more upper range trees I like to compare trees. Take for instance this also reasonable japanese white pine for sale near me. At 2470E is is roughly one fifth of the price. The trunk is a LOT less interesting, and to some the lowest brinch might be out of place. But besides that, to me it feels a lot more mature as bonsai (Yet I do not really like the helmet-uniformity of the crown).

It woudl be really great to hear people at that level of styling (Bjorn, Ryan) discuss tree-value and how to get at a specific price. Sometimes it feels random, but for sure they have reasons why one tree is prices at a much higher point than others.
1706257108587.jpeg
 

Colorado

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I do not understand why you would think this. Looks like a mature, collected specimen to me. The sudden transition is where prossibly a sidebranch or even the main trunk was originally cut off.

Well, I would think this because it specifically says so in the listing: “ Carefully grafted, this unique weeping Scots pine captivates with a remarkably clean and beautiful graft union.”

7EC058A2-47DE-4C45-BF9B-6F1C65F36C2C.png

So, no, it is not a collected specimen. It is also obvious that it’s grafted from the photos. 🙄
 

flor1

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These threads seem to gain more traction and interest than the educational/styling videos, which is odd really.
It's human nature though, people just love to have a moan about what they can't afford😁
Major difference in what i’m willing to spend and what I can afford
 

TrevorLarsen

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I think it’s very helpful and useful for people to get an idea what trees are worth. I don’t think it’s just enjoying seeing things we can’t buy. For me it’s setting the parameters on what trees are sold for.
 

penumbra

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Some unkind things have been said here about this pine, and I have to say that it stings a bit. I wonder at the variety of feelings that prompt these statements and know that some denigrate things in general that they cannot afford. Admittedly though, some of the statements here are well reasoned and therefore sound to the observer.
Personally, I find this tree highly desirable from several standpoints. Scots pine is my favorite pine to work with, though I admit my design and care skills for pines are lacking. I have not managed to kill a Scots pine, ever. I have one that is 35 years old that was decimated by sawfly larvae some years ago, but it was my negligence that allowed for this. I have been thinking about my Scots a lot the past 2 years and it is due for a redesign this spring. But back to the tree that is the subject of this discussion, I am also a sucker for weeping trees and have several in my landscape.
I am thankful that this pine is on the west coast, because if it was close by, I would be making and offer on it in the $10,000 range. Hiding this would not be good for my conscience or my marriage.
 

Colorado

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Some unkind things have been said here about this pine, and I have to say that it stings a bit. I wonder at the variety of feelings that prompt these statements and know that some denigrate things in general that they cannot afford.

I can only speak for myself, but to me the bad taste in my mouth from this tree isn’t the tree itself. It is from the pricing and the “sales pitch.” I don’t think there would be much, if any, backlash if the tree was priced at $1,000, for example.

It just seems odd to me that the tree was purchased from a nursery for a couple hundred bucks, repotted into a Horst pot, branches wired down into a general bonsai shape and then it is declared an “avant garde” masterpiece.

For what it’s worth, I don’t have any problem with the price point itself. Mirai has posted many trees for sale in this price range that seemed to be appropriately-priced.

This one just seems….like a stretch. Just my 2 cents.
 

IzzyG

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It woudl be really great to hear people at that level of styling (Bjorn, Ryan) discuss tree-value and how to get at a specific price. Sometimes it feels random, but for sure they have reasons why one tree is prices at a much higher point than others.
Having bought a handful of trees from both (and other artists), I’ve had multiple discussions with them in regards to how some of these pricing structures are put together. There’s definitely a portion of it being “objective” and a portion being “subjective”. Off the top of my head, these are some of them(please note that each point is a discussion on its own):

1: Size. Much like many things in life, the larger the tree, the higher the price. Are some shohin sized trees worth more than 24” ones? Sure. But in general, larger trees go for more.

2: Raw material costs. Much like any business, the cost of goods(in this case the raw tree from collectors and growers) determine the price of the final product. However, other expenses such as business expenses also play a part in it. A hobbyist that does it for fun and self collected material, without infrastructural expenses will probably not ask as much as the business who has staff, suppliers, etc. to pay.

3: Species. There’s definitely certain species that command a premium. One that comes to mind are piñon pines(due to their low survival rate). Ungrafted white pines are another example.

4: Physical features such as gradual taper, movement, trunk size, number of live veins(junipers), deadwood features, etc. (most of us know the usual list of desirable physical/aesthetic traits).

5: Provenance. Previous owners, artists who have worked on the tree, awards won, featured tree, etc. Yep, they add value.

6: Relative pricing. The market will bear the price that it will bear. We’ve all seen yamadori pricing climb over the years(I’ve even noticed it in the last 18 months) and if collector A is able to command a very high price, it’ll undeniably encourage collector B, C, D, etc. to raise prices.

7: Time invested/how far along is the tree’s development. This is self explanatory.

8: Styling. Some styling are just obviously well executed and adds value to the tree. Others, not so much.

9: Owner’s subjectivity. Some trees are just special to the owner and they’ll put out a “I don’t want to sell it but will at this price”.


Now, does all of the above justify a tree’s price to an individual? Well that’s up to the individual. Personally I feel like I have a good grasp on raw yamadori and finished conifers prices in the US(as far as averages and justification). However, there’s definitely times where a tree is just commanding too high of a price. It could be “justifiable”(the raw tree was overpaid, the development took longer than anticipated) but that doesn’t mean that the market will bear the price.
 
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