Might be interesting to see the one that is connected to the wood. Right now it kind of looks like a young thuja grew next to an old dead trunk. Having them physically connected would make the image more interesting, I think.
Hey Amkhalid, I got to see this one in person and it is super nice. It suffers from exactly what you are noting. A malady I have seen with collectible cedars commonly in the wild. The can look like a dead stump with seedling growing out from under them.
Here is my take: The greatest asset of this plant is not very apparent in a image. It is the weathered texture of the trunk. The bulk is evident but the details are very interesting and look very OLD--this is the gift of this tree, it is a great find and has special meaning because of its origin.
Main rule; do not obliterate this (no grinding carving, nothing more than a tooth brush--leave alone). Try to showcase this.The first picture of the trunk is definitely more exciting than after working it.
The LS hides this some and I think the whole trunk could be restained. Using a spare deadwood to test either make a natural stain or use a water based stain or watered down pigments and give it a good toning down--sometime by wiping on a darker stain into the crevices it highlights them--OR just wait. I don't usually treat upper trunks so much on cedars--they last and last.
The trees position seems pretty fixed to me and the lack of apparent connective veins is just the way it is.
However to keep subordinate, and diminish the vast difference from the character of the live wood and the DW is the mission. So, on the live wood I may consider very artistically exposing some lines of shari. Try some long term hard wiring to reduce the tubular Juvenal look of some of the sub-trunks.
Really to me the green is but a sprig of charm. The weathered trunk is the whats talking.