exhibitions like this fascinate me. Bonsai is not a static art. All trees ebb and flow stylistically, but also horticulturally in regards to health. And knowing that these trees came from all over, and will now sit in a building, in one location, for however long the exhibit runs, is amazing and terrifying. I’m sure they are in the best of hands, but his work has become so iconic, I’d hate to be the guy that mishandled Penelope causing major branch dieback. And with that said, should these trees ever change significantly in style over the years? Or should we always maintain there current state staying true to nicks vision? It’s a question Ryan Neil asks a lot. He talks a lot about public collection trees that need work, to have submissions input by professionals, proposing ideas for style change. I love this idea. As Sergio, your style is quite unique, and varies significantly from a Todd Schlafer or even Adair for that matter.