The Eccentric Bonsai Artistry of Nick Lenz" National Bonsai and Penjing Museum; Oct 26 - Nov 17, 2019

I've been listening to the "asymmetry" podcast from bonsai mirai, and I think this show is the best example I've seen so far of exemplifying when bonsai (traditionally) meets art in the western sense. I'm stoked. Thank you to everyone that has shared, I wish I could be there.
 
I am on my way to DC now, to see the exhibit. Will probably make a few visits. Does anyone know the opening hours and where to go exactly? Notice the total arboretum is fairly large :).

Anybody going there this weekend? Would love to meet up and have a walk around together..


Sorry I missed you by a couple of days. I hope you enjoy the exhibit and have a great time during your stay in the US.


Thanks for the great pictures Sergio! Loved the amazing talent, imagination, and creativity from just one man! I especially liked the Larches. Peter


Sure Peter. Yes his larches are superb. The one by itself leaning against a rock that still has yellow foliage was exhibited at the last Nationals. It is HUGE!
 
So m
Penelope is awesome. A true classic and should I say a highly suggestive piece. She appeared smaller than I remember her.
Really though. So much more than just a tree on a statue. The way the roots wrap so tightly in perfectly placed locations. It’s a renaissance painting in itself.
 
Penelope is awesome. A true classic and should I say a highly suggestive piece. She appeared smaller than I remember her.
exhibitions like this fascinate me. Bonsai is not a static art. All trees ebb and flow stylistically, but also horticulturally in regards to health. And knowing that these trees came from all over, and will now sit in a building, in one location, for however long the exhibit runs, is amazing and terrifying. I’m sure they are in the best of hands, but his work has become so iconic, I’d hate to be the guy that mishandled Penelope causing major branch dieback. And with that said, should these trees ever change significantly in style over the years? Or should we always maintain there current state staying true to nicks vision? It’s a question Ryan Neil asks a lot. He talks a lot about public collection trees that need work, to have submissions input by professionals, proposing ideas for style change. I love this idea. As Sergio, your style is quite unique, and varies significantly from a Todd Schlafer or even Adair for that matter.
 
exhibitions like this fascinate me. Bonsai is not a static art. All trees ebb and flow stylistically, but also horticulturally in regards to health. And knowing that these trees came from all over, and will now sit in a building, in one location, for however long the exhibit runs, is amazing and terrifying. I’m sure they are in the best of hands, but his work has become so iconic, I’d hate to be the guy that mishandled Penelope causing major branch dieback. And with that said, should these trees ever change significantly in style over the years? Or should we always maintain there current state staying true to nicks vision? It’s a question Ryan Neil asks a lot. He talks a lot about public collection trees that need work, to have submissions input by professionals, proposing ideas for style change. I love this idea. As Sergio, your style is quite unique, and varies significantly from a Todd Schlafer or even Adair for that matter.


Indeed bonsai is anything but static! Is like chasing a moving target while you're being blindfolded. It changes, evolves and we must adapt to those changes and respond accordingly. Ultimately there will be a day that Penelope will be no more. But it is not Nick's bonsai that will last forever, but rather his ideas, artistry and daring creativity that have made a lasting indelible mark in the history of American bonsai. That will last much, much longer than any tree he created.
 
Ultimately there will be a day that Penelope will be no more.
Yeah, we discussed that this afternoon. The current owner was considering alternative routes out of the continent if it ever dies on his watch.
 
I have not been at this to long, but I am more impressed with his work than any other collection I have seen....between the trees, the pots, and the décor... I just loved the pictures. Thanks to all who took the time to take and post them! Is there a book out that has his autobiography and pictures? Peter
 
Yeah, we discussed that this afternoon. The current owner was considering alternative routes out of the continent if it ever dies on his watch.
Oh wow. A private owner of Penelope. I’d be curious as to how he acquired it. I feel like a tree like that doesn’t belong in someone’s back yard.
 
Oh wow. A private owner of Penelope. I’d be curious as to how he acquired it. I feel like a tree like that doesn’t belong in someone’s back yard.
Clearly that person is skilled and has as high a regard for Penelope as you. But I do, and I think many others too, agree that it is a national treasure.
 
Clearly that person is skilled and has as high a regard for Penelope as you. But I do, and I think many others too, agree that it is a national treasure.
Oh I don’t doubt that he does have the skill set. I was just a bit surprised to hear is all. I wonder if he was a good friend of Nicks or if he purchased it. Just curious more than anything else.
 
To be honest, I understand he has had penelope longer than Nick himself. And yes they are friends.

That being said, I would hope eventually it would become part of the national collection.
 
I have not been at this to long, but I am more impressed with his work than any other collection I have seen....between the trees, the pots, and the décor... I just loved the pictures. Thanks to all who took the time to take and post them! Is there a book out that has his autobiography and pictures? Peter
Closest thing is "bonsai from the wild" has many of the trees in the exhibit and was written by the artist.
 
I had the great good fortune to do several workshops with Nick over the years. We always brought our own trees, often in wildly different stages of development. Nick never seemed to look at a tree with any stylistic preconceptions; he let the tree speak to him and then made suggestions to develop its individual character. My best trees all show his guidance.
 
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