AlainK
Imperial Masterpiece
Thanks Maros! Certainly she's good from the back too!
That's how you can tell a very good bonsaï from a great bonsaï
Thanks Maros! Certainly she's good from the back too!
i just hope this isn't going to delay the Mach5 calendar!
The white on these trees is pretty amazing. That is why I love to photograph it against a dark background to bring it out. I am a bit puzzled by the two trees in the forest that exhibit a rougher bark much like birch. I have never seen beech do that? I like it because they add textural variety.
Do you treat the trunks with lime sulfur to whiten them further?
I think In this case @MACH5 bought this group already assembled but I imagine with his experience and expertise he knows the methods pretty well.+1 @Hartinez
i'm curious about this too @MACH5
i followed the methods that Peter Adams describes (i tied the trees to a sheet of plastic mesh -- the type we use to block drainage holes) and it was a difficult and tedious with only 3 trees! I guess that's the nature of the beast, but i'm interested what your strategy was
I have used loops of wire embedded into a bit of epoxy putty, stuck to the inside bottom of the slab to create some anchor wire tie-down points.
I think In this case @MACH5 bought this group already assembled but I imagine with his experience and expertise he knows the methods pretty well.
Very cool. Thank you @MACH5 . I’ll post a thread of mine when it’s done and will document as best as possible.Yes the beech forest was already assembled when I purchased it. At this point it has become more of a raft since all trees from one end to the other have fused into a single mass.
The way I have done my forests is very similar to the way Bill does his. On a slab, I do exactly what BFV described.
In some cases, like on the forest below, the smaller seedlings were just stuck into the wet akadama. They were too small and thin to be affixed with wire.
View attachment 238008
I love that effect, and the modern “edge” of the plexiglass table under the natural stone. I can see the controversy in the traditional setting of the USNBE, and can see it embraced at the Carolina expo. I like it better against the black background than the lighter background available in Rochester. The “emptiness” of the leafless canopy is repeated in the “emptiness” of the clear table.Here she is now more "formally" presented. Here the modern meets traditional. This same display was shown under some controversy at the 2016 US Nationals. The plexiglass table was met with praise but also criticism and understandably so.
I like displaying this forest in combination with this non-traditional table. My inspiration came from a Japanese scroll, where a forest was depicted in heavy fog. The effect was that of a floating forest amongst the mountains. I had the idea of creating a simple clear plexiglass table that would create somewhat of a floating effect. One can also say that the effect is that of a stand of trees surrounded by water. I also like the contrast between the natural materials and elements against the cold, hard artificiality of then plexi.
I love that effect, and the modern “edge” of the plexiglass table under the natural stone. I can see the controversy in the traditional setting of the USNBE, and can see it embraced at the Carolina expo. I like it better against the black background than the lighter background available in Rochester. The “emptiness” of the leafless canopy is repeated in the “emptiness” of the clear table.