ITOIGAWA WIND DRAGON

MACH5

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Here is an itoigawa juniper that I acquired earlier this year from Don. I am not partial to shimpaku, but when Don sent me a pic of this one, I simply could not resist! The movement I thought was exceptional.

As the story goes, some years ago this juniper belonged to Harry Greer who had an excellent collection in Oklahoma. The tree was first imported from Japan by Marco Invernizzi. But after the tree had been apparently overworked, the dry heat of Oklahoma almost killed it. Subsequently, the juniper ended up in the hands of Don, who somehow brought it back from the dead! Under his expert care, the tree was set in the path to recovery.

When asked, Bjorn thought that this tree was either ground grown specifically for bonsai or perhaps even a low land yamadori.

Below is an older pic of when the tree was in Harry's collection right before it started to decline in health.






This is one pic Don sent me earlier this year. You can clearly see that it had seen better days with only one branch left alive. However, although the foliage was minimal, it was green and healthy thanks to the care Don gave it.






Below is a series of recent photographs showing the tree from different angles. In some, the tree looks a bit like a dragon in the wind hence its name. I am currently considering the first pic below as my front.










The twists and turns of the trunk remind me of Japanese brush calligraphy.








Under full sun, lots of water and fertilizer, the tree is regaining its vigor quickly. The foliage is filling in nicely but it will need a couple more years of uninhibited growth before it is ready for initial styling.

 
:cool:
For me, it is important that the live vein is not completely hidden - it has to be seen somewhere along the length of the trunk. I cannot tell for sure that the vein can be seen with your chosen front - if it is, I like your choice. I also must say that the tree's original front is my least favored of the views you've presented.
 
What a grand tree it was in its heyday...I'm so glad to see that your offering it the care it needs to thrive. It would be a crying shame to have it no longer being a living viable bonsai. Will love seeing updated photos of this ones progress...the movement and deadwood is a piece of artwork in and of itself...and I'm sure photos can't do it justice. Thanks for sharing! And what a showpiece for the bench that trunk alone...
 
Glad it's getting healthy Serg, I always liked this tree. Here is the front I would want to use:
image.jpeg
 
It's magical. Don could bring Lazarus back... :rolleyes:
I agree with oso, I like your fronts better than the old one. I like the angle that Don's picture shows it for some reason.
 
I like the tree...it has experienced a rough journey but seems to be coming back....I also liked the comment about it looking like the Japanese brush calligraphy art. The tree immediately reminded me of the creative brush work of Shinrei Hori.

Your photography skill is excellent at capturing many intricate details. Thanks!
 
:cool:
For me, it is important that the live vein is not completely hidden - it has to be seen somewhere along the length of the trunk. I cannot tell for sure that the vein can be seen with your chosen front - if it is, I like your choice. I also must say that the tree's original front is my least favored of the views you've presented.


Yes I agree. From this angle this is where the live veins are.

 
What a grand tree it was in its heyday...I'm so glad to see that your offering it the care it needs to thrive. It would be a crying shame to have it no longer being a living viable bonsai. Will love seeing updated photos of this ones progress...the movement and deadwood is a piece of artwork in and of itself...and I'm sure photos can't do it justice. Thanks for sharing! And what a showpiece for the bench that trunk alone...


Thanks Darlene! I feel the same way. Nature has done all the hard work. Now it is up to me to showcase it by frame it with beautiful foliage that complements the twisting movement of the deadwood but not over power it.
 
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Glad it's getting healthy Serg, I always liked this tree. Here is the front I would want to use:
View attachment 109800


Bri, I'm happy that thus far it is doing well. I'm doing all I can to get it strong again. I do like your choice very much for a front as well. I keep going back and forth between the two. Very early in the game still and probably two years or more out before I can dig in.

Also, I have thought about grafting but I also think that perhaps the entire tree can be designed with that just one branch.
 
I like the tree...it has experienced a rough journey but seems to be coming back....I also liked the comment about it looking like the Japanese brush calligraphy art. The tree immediately reminded me of the creative brush work of Shinrei Hori.

Your photography skill is excellent at capturing many intricate details. Thanks!


I am happy that Don was able to bring this tree back! It would have been a real shame and I would hate to see it disgraced it by making a tanuki out of it.
 
Thanks Darlene! I feel the same way. Nature has done all the hard work. Now it is up to me to showcase it by frame it with beautiful foliage that complements the twisting and movement of the deadwood but not over power it.

Your welcome...I also feel that it's in quite capable hands...that you will do good by this piece creating something amazing and not overpowering. I've always admired your trees. This material couldn't have been placed in more capable Hands to carry out such a task. Have fun with it my friend.
 
This tree is magnificent!!! Consensus is its in capable hands, which could be it's saving grace.

That nail screw ruined it for me tho :D
 
I'm with you on your first choice. Incredible tree! I think my second choice would be the 3rd one from your current photo's. But I think the first has the best base, live vein movement and deadwood. :) I don't think you can go wrong with it though.
 
Yes I agree. From this angle this is where the live veins are.

Mach, thanks for showing where the live veins are. I agree that it's important to be able to see where the live vein is, and where it comes up from the soil

And, in the future, I think this tree will benefit from having the deadwood bleached white, and the bark peeled and oiled to bring out the cinnamon color.

I know some don't like that look. But in this case I think it's necessary to highlight the live vein. As it is now, it's hard to distinguish between the deadwood and live vein.
 
Mach, thanks for showing where the live veins are. I agree that it's important to be able to see where the live vein is, and where it comes up from the soil

And, in the future, I think this tree will benefit from having the deadwood bleached white, and the bark peeled and oiled to bring out the cinnamon color.

I know some don't like that look. But in this case I think it's necessary to highlight the live vein. As it is now, it's hard to distinguish between the deadwood and live vein.


Thanks Adair. And yes I completely agree. Shimpaku (and its different varieties) generally present a highly refined and elegant look. I think it's a missed opportunity to not have these junipers treated as such with a high contrast between the deadwood and their live veins.
 
The dead wood on this and the fact that there is only foliage at the top commands more age. I like it this way and this will be much better then it originally was. Great tree
 
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