Hello! Spectacular. This is beautiful. What species?I guess I can’t say it’s “not being used” any more! Here it is with a tree in it:
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Itoigawa.Hello! Spectacular. This is beautiful. What species?
Shoot... I don’t see anything that would keep me from using it! Whatever it is, just turn that to the back!I would like to repair this pot
Had a few issues on the putter rim lip area.
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I will do that, thanks for the suggestionShoot... I don’t see anything that would keep me from using it! Whatever it is, just turn that to the back!
with the old pots, little dings and stuff, are seen as “beauty marks”!
Imported? Or grafts?Itoigawa.
It’s an imported tree. The trunk is a yamadori shimpaku from Japan, which was grafted with Itoigawa by Juan Andrade when he was an apprentice in Japan. I purchased it from Juan several years ago. It was Best in Show at the 2nd National Shohin Exhibition in Kannapolis in 2019. (In a different pot!)Imported? Or grafts?
Spectacular!It’s an imported tree. The trunk is a yamadori shimpaku from Japan, which was grafted with Itoigawa by Juan Andrade when he was an apprentice in Japan. I purchased it from Juan several years ago. It was Best in Show at the 2nd National Shohin Exhibition in Kannapolis in 2019. (In a different pot!)
Sometimes a shift in perspective can solve your problem.have about 200 unglazed terracotta that are not in use and many will remain so, simply because they are too large & deep for my purposes.
I cannot argue with this logic.Sometimes a shift in perspective can solve your problem.
You have too many small trees.
Solution. Get 200 BIG trees
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