Warpig
Chumono
Have seen many of both. The question was which is the "better deal". That depends on many things. Two different people, styles, and ways. Some the same some different. The question becomes which do 'you' want to learn from.
I see the Dawg has no sense of humor!OH yea? Please enlightenment me.
Ryan Neil = Nigel SANDERS??
Poorly executed analogy mr squarepants
Using that standard, you should watch hours of Peter Chan and Nigel Saunders for FREE on YouTube.
I believe it was @sorce who once said something along the lines of "Quality doesn't sell videos, production value does."
Well, Dawg, all kidding aside, I think what Walter was referring to was “investing in education” is better than simply buying another tree or pot. The old “teach a man to fish...” thing..... Ta da! You are so incredibly brilliant Adair, you old man Jenkins...pat yourself on the back!
Back to Walter’s “best investment” comment… I’m hoping BE has produced some new instructional content that is second to none, has never been covered by Ryan, not yet ever taught ….otherwise I/m skeptical of his comment and assume it has to be typical Walter Pall promotional b.s. that in reality is exceedingly far-fetched (did anyone just say, Hedge pruning??)
I'll also say this.....
Walter is Smart enough to pull this publicity stunt himself, even paying Ryan's guys to do it!
Smart smart.
Walter Walter.
I just don't like BE too much.
Sorce
@BonsaiDawg
520 hours of Ryan Neil? In one month? Assuming I could only bear up to one hour per day of listening to Ryan's voice, and the occasional day off to give my ears time to stop bleeding, it would take me 2 years to watch all that content. So a more realistic cost comparison would be $350 per year, for two years, 520 hours = $1.35 per hour. Still a rather reasonable price. I am only partially joking about my ears bleeding, I enjoy Ryan, but there is a point where his voice can begin to grate on you. I think even he would agree, there are only so many hours a day anyone would want to listen attentively to him. Taking 2 years to listen to his 520 hours is reasonable. And of course, each week Ryan adds more content.
I've either taken as a participant or have been silent observer for live in person workshops from both Ryan Neil and Walter Pall. Each has their strengths, each has their weaknesses.
Once of the tricky issues to learn is the calendar. When to do what. Of the dozens, of artists I've seen speak over the last couple decades, none are particularly good at adjusting their timing suggestions from where they grow to where I grow. All this on line stuff is fine, you can learn lots. But the learning the calendar remains what is likely the most difficult aspect of bonsai. As we each need to customize a calendar for ourselves, for each species we grow. Here, the "local expert" in your own home town bonsai club is really helpful. Having someone nearby who deals with the exact same weather. The local guy doesn't need to teach you everything, just help out figuring when to do what.
I like the production quality and fairly dense information content of Ryan Neil's videos. I like some aspects of Walter Pall's design approach, he does make the very valid point that bonsai does not need to be beautiful, it needs to look, feel, have the impact of a tree.
So each artist has different things to offer. If you can, subscribe to them all.
@BonsaiDawg
520 hours of Ryan Neil? In one month? Assuming I could only bear up to one hour per day of listening to Ryan's voice, and the occasional day off to give my ears time to stop bleeding, it would take me 2 years to watch all that content. So a more realistic cost comparison would be $350 per year, for two years, 520 hours = $1.35 per hour. Still a rather reasonable price. I am only partially joking about my ears bleeding, I enjoy Ryan, but there is a point where his voice can begin to grate on you. I think even he would agree, there are only so many hours a day anyone would want to listen attentively to him. Taking 2 years to listen to his 520 hours is reasonable. And of course, each week Ryan adds more content.
I've either taken as a participant or have been silent observer for live in person workshops from both Ryan Neil and Walter Pall. Each has their strengths, each has their weaknesses.
Once of the tricky issues to learn is the calendar. When to do what. Of the dozens, of artists I've seen speak over the last couple decades, none are particularly good at adjusting their timing suggestions from where they grow to where I grow. All this on line stuff is fine, you can learn lots. But the learning the calendar remains what is likely the most difficult aspect of bonsai. As we each need to customize a calendar for ourselves, for each species we grow. Here, the "local expert" in your own home town bonsai club is really helpful. Having someone nearby who deals with the exact same weather. The local guy doesn't need to teach you everything, just help out figuring when to do what.
I like the production quality and fairly dense information content of Ryan Neil's videos. I like some aspects of Walter Pall's design approach, he does make the very valid point that bonsai does not need to be beautiful, it needs to look, feel, have the impact of a tree.
So each artist has different things to offer. If you can, subscribe to them all.
Man, I honestly thought I was the only one who had issues with his voice. I had to leave a demo once just because it was making me feel irritated.
Since you're a native speaker, can you tell me what it is exactly that bothers you so much?
I have a real hard time finding that out for myself. Don't know if it's the Colorado accent or just the tone..
Let's not forget that people like Ryan Neil were NOT TAUGHT by their masters.
irritated
Nice BB reference! Lydia.It's cuz he talks (extended pause)
Like the Lady from Madrigal Electromotive
(Long pause)
When talking about the methylymine heist
(Long pause)
In the New Mexican Desert...
Sorce
Huh?
[/QUOTE
Sounds crazy......until you look at the video where Ryan Neil explains just that. Ryan said he would have to catch any information he could by watching Kimura while he worked. There was no " You do this and then you do this because of this." type of teaching.