TinyArt
Chumono
Cards on the table: in chasing a memory (NYC Chinatown shop window, full of tiny grey figures, boats, and buildings), I have collected a bunch of vintage mudmen and learned what I could about them.
I “get” that they don’t belong with bonsai, because it’s not the same aesthetic. Even when you look at bonkei and saikei landscapes, the accessory figures and buildings are generally made of cast & painted metal.
On the other hand, when you see penjing landscapes, good ones, with the balance and proportions to carry it off, those “mud” pieces can really pull their weight beautifully, whether the penjing is palm-sized or a big courtyard feature.
I suspect that the awfulness of modern mallsai mudmen has a great deal to do with so many people loathing them. If you met one of the sort that I first saw when all my money went on train fare & lunch, back in the early ‘80s — well, you might bring it home & offer it to someone, rather than just plucking it from the pot and leaving it behind at the nursery.
I “get” that they don’t belong with bonsai, because it’s not the same aesthetic. Even when you look at bonkei and saikei landscapes, the accessory figures and buildings are generally made of cast & painted metal.
On the other hand, when you see penjing landscapes, good ones, with the balance and proportions to carry it off, those “mud” pieces can really pull their weight beautifully, whether the penjing is palm-sized or a big courtyard feature.
I suspect that the awfulness of modern mallsai mudmen has a great deal to do with so many people loathing them. If you met one of the sort that I first saw when all my money went on train fare & lunch, back in the early ‘80s — well, you might bring it home & offer it to someone, rather than just plucking it from the pot and leaving it behind at the nursery.